#1071 like the colours in autumn, so bright just before they lose it all
Wednesday, 31 July 2013
Indescribable.
#1070 faster than the wind, passionate as sin ending so suddenly
Tuesday, 30 July 2013
The joy of finding another singer.
#1069 one more stupid love song, I'll be sick
Monday, 29 July 2013
Recently (well, this morning during math tutorial, to be more accurate), I discovered that it is actually rather gratifying to be able to sketch/ draw something with my left hand, i.e. my non-master hand.
So as of now, I've already drawn three deer and a swan and some swirly vines in my left hand and they actually look quite okay. Like sketchy-ish okay.
Well at least when I screw up something, I'll have the excuse that it wasn't drawn with my master hand.
So as of now, I've already drawn three deer and a swan and some swirly vines in my left hand and they actually look quite okay. Like sketchy-ish okay.
Well at least when I screw up something, I'll have the excuse that it wasn't drawn with my master hand.
#1068 all those fairy tales are full of shit
Sunday, 28 July 2013
With photos dating back to the prehistoric time of the KL escapade.
Shopping haul for less than a day :D
My crazy punny class.
Total haul in KL :DD
Last day and decided to watch Avengers instead of doing well I don't know BT revision #suchislife
Well. Han Wei and I did share a luggage.
Sunset from the plane.
Bring me back...
I wish I have one of France and of UK... DDD:
Fats galore.
New (old, as of now) wallpaper :D subtle Star Trek hint.
/cue Mission Impossible music/
Han Wei's birthday dinner at La Perle Noire (:
Le cake. With a lotus candle.
Went for this yesterday! (shall blog about it on a later date so many picture posts queued argh)
3 souvenirs, 3 memorable trips, uncountable unforgettable memories
My first paper crane :D
Condolences to my comrades who take geography.
(French isn't that much better tbh)
What happens during a Yu Qian lecture.
Project 1000 cranes :D
On the set of The Hobbit :333333
Swan in mom's coffee.
Obligatory out of the window posts.
Hello lessthanhalftheBiosyllabus.
(these things were double sided)
G A H
Feels for this song :3
(French isn't that much better tbh)
Three baby cranes went out one day.
Hannah exposed.
#1067 if happy ever after did exist, I would still be holding you like this
Tuesday, 23 July 2013
Hello one and all.
Are you fond of me?
Or at least curious about me?
Well you must be since you're reading my really boring blog.
So please help me do my NRP survey I'll be eternally grateful.
Click here to take survey
Thank you (:
(I would put a pointy smiley here but Blogger would probably screw it up.)
Are you fond of me?
Or at least curious about me?
Well you must be since you're reading my really boring blog.
So please help me do my NRP survey I'll be eternally grateful.
Click here to take survey
Thank you (:
(I would put a pointy smiley here but Blogger would probably screw it up.)
#1066 but even the sun sets in paradise
Monday, 22 July 2013
Our planet may be home to 30 million different kinds of animals and plants. Each individual locked in its own lifelong fight for survival. Everywhere you look, on land or in the ocean, there are extraordinary examples of the lengths living things go to stay alive.
Reptiles and amphibians are sometimes seen as simple, primitive creatures. That's a long way from the truth. The fact that they are solar-powered means that their bodies require only 10% of the energy that mammals of a similar size require. At a time when we ourselves are becoming increasingly concerned about the way in which we get our energy from the environment and the wasteful way in which we use it, maybe there are things that we can learn from life in cold blood.
Three and a half million years separate the individual who left these footprints in the sands of Africa from the one who left them on the moon. A mere blink in the eye of evolution. Using his burgeoning intelligence, this most successful of all mammals has exploited the environment to produce food for an ever-increasing population. In spite of disasters when civlisations have over-reached themselves, that process has continued, indeed accelerated, even today. Now mankind is looking for food, not just on this planet but on others. Perhaps the time has now come to put that process into reverse. Instead of controlling the environment for the benefit of the population, perhaps it's time we control the population to allow the survival of the environment.
[on plants] Ever since we arrived on this planet as a species, we've cut them down, dug them up, burnt them and poisoned them. Today we're doing so on a greater scale than ever.
- Sir David Attenborough
#1065 I've wasted my nights, you turned out the lights
Sunday, 21 July 2013
This evening as we walked from dinner to the bus stop near Jess's house, I couldn't help but realise that the sky was so huge and beautiful, most probably because the moon was (or was nearly) a full moon. But it was so bright and the sky was so cloudless, and everything was so clear.
I think I kind of slipped into another one of those crises where I just felt so lost I didn't know what was going on.
Have you ever looked up into the night sky and realised just how small and insignificant you are?
Have you ever looked up into the night sky and realised that those twinkling little stars you see in the distance are, in reality, huge giant balls of gas a gazillion times larger than you are?
Have you ever looked up into the night sky and wondered how faraway nebulas look like? Different worlds, different solar systems, different galaxies, different constellations? What are the colours like to the human eye? What are the colours like in general?
Have you ever looked up into the night sky and imagined what kind of worlds there are out there? What the foreign lifeforms are like (because in such a massive place, to say that earth is the only planet/ moon with any form of lifeforms would be an utter lie)? How different are they from us?
Have you ever looked up into the night sky and wondered if there's an end to all of this? The edge of the universe? Or does it go on and on and on, layer over layer over layer, just like a spring? A spring which has two connected ends, so you don't know where you started and where you ended?
Have you ever looked up into the night sky and questioned the concept of time? What is time like in the universe? Because humans base our concept of time on earth and the sun, on the birth of our solar system, on the revolutions around the sun and on the cycles of day and night. But what are these to the vast majesty of the universe? How can you calculate what is time for a universe?
I always feel so conflicted and so ill at ease whenever I fortuitously slip into one of these crises.
It's okay that I'm small and insignificant, for there is always a whale when there is an elephant, and an elephant when there is an ant.
But I can't stand not knowing what is out there. I can't stand not knowing what it all looks like to the naked eye.
Most of all, I can't stand knowing that I (and quite possibly every other human in the span of my lifetime) will never be able to travel through this final frontier and find answers to all our questions.
I think I kind of slipped into another one of those crises where I just felt so lost I didn't know what was going on.
Have you ever looked up into the night sky and realised just how small and insignificant you are?
Have you ever looked up into the night sky and realised that those twinkling little stars you see in the distance are, in reality, huge giant balls of gas a gazillion times larger than you are?
Have you ever looked up into the night sky and wondered how faraway nebulas look like? Different worlds, different solar systems, different galaxies, different constellations? What are the colours like to the human eye? What are the colours like in general?
Have you ever looked up into the night sky and imagined what kind of worlds there are out there? What the foreign lifeforms are like (because in such a massive place, to say that earth is the only planet/ moon with any form of lifeforms would be an utter lie)? How different are they from us?
Have you ever looked up into the night sky and wondered if there's an end to all of this? The edge of the universe? Or does it go on and on and on, layer over layer over layer, just like a spring? A spring which has two connected ends, so you don't know where you started and where you ended?
Have you ever looked up into the night sky and questioned the concept of time? What is time like in the universe? Because humans base our concept of time on earth and the sun, on the birth of our solar system, on the revolutions around the sun and on the cycles of day and night. But what are these to the vast majesty of the universe? How can you calculate what is time for a universe?
I always feel so conflicted and so ill at ease whenever I fortuitously slip into one of these crises.
It's okay that I'm small and insignificant, for there is always a whale when there is an elephant, and an elephant when there is an ant.
But I can't stand not knowing what is out there. I can't stand not knowing what it all looks like to the naked eye.
Most of all, I can't stand knowing that I (and quite possibly every other human in the span of my lifetime) will never be able to travel through this final frontier and find answers to all our questions.
#1064 all of our bridges burned down
Friday, 19 July 2013
Can we just think about how poetically beautiful this image is.
#1063 so I cross my heart and I hope to die
Tuesday, 16 July 2013
And here we have a 2:11 minute summary of how humans colonised the planet.
#1062 once upon a time, a few mistakes ago
Sunday, 14 July 2013
I used to dislike shows with space and aliens and heavy machinery and cars and vehicles. I used to really love cartoons and fantasy and magic, and I still do, for the last two at least.
Things have changed so much.
Things have changed so much.
#1061 this is my last glance that will soon be memory
As you can probably tell by now, I'm really easily won over by epic/ awesome soundtracks.
#1060 the sky is getting bright, the stars are burning out
Saturday, 13 July 2013
The Pixar Theory (Jon Negroni) x
In Brave, Merida discovers that there is “magic” that can solve her problems but inadvertently turns her mother into a bear. We find out that this magic comes from an odd witch seemingly connected to the mysterious will-of-the-wisps. Not only do we see animals behaving like humans, but we also see brooms (inanimate objects) behaving like people in the witch’s shop.
It’s possible that Charles Muntz, the antagonist of “Up”, learned of this startling rumor, giving him the idea to begin inventing devices that would harness the thoughts of animals, namely his dogs, through translator collars. Those collars indicated to Muntz that animals are smarter and more like humans than we think. He needed this technology to find the exotic bird he’s obsessed over, and he even comments on how many dogs he’s lost since he arrived in South America.
In the beginning of Up, Carl is forced to give up his house to a corporation because they are expanding the city. Think on that. What corporation is guilty for polluting the earth and wiping out life in the distant future because of technology overreach?
Because the machines tip everything out of balance, Earth becomes an unfit planet for humans and animals, so the remaining humans are put on Axiom (or Noah’s Ark if you want to carry on the Biblical theme where Wall-E is basically Robot Jesus and his love interest is aptly named Eve) as a last-ditch effort to save the human race.
On Axiom, the humans have no purpose aside from having their needs met by the machines. The machines have made humans dependent on them for everything because that is how they were treated as “toys.” It’s all they know.
What we do know is that there is an energy crisis inCars 2, with oil being the only way society trudges on despite its dangers. We even learn that the Allinol corporation was using “green energy” as a catalyst for a fuel war in order to turn cars away from alternative energy sources. That “clean” fuel could have been used to wipe out many of the cars, very quickly.
After Wall-E liberates the humans and they rebuild society back on Earth, what happens then? During the end credits of Wall-E, we see the shoe that contains the last of plant life. It grows into a mighty tree. A tree that strikingly resembles the central tree in A Bug’s Life.
That’s right. The reason no humans exist in A Bug’s Lifeis because there aren’t a lot left. We know because of the cockroach that some of the insects survived, meaning they would have rebounded a bit faster, though the movie had to be far enough in the timeline for birds to have returned as well.
We even see the Pizza Planet truck carved as a wooden toy in her shop, which makes no sense unless she’s seen one before…(and I’m sure she has since that truck is in literally every Pixar movie). If you look closely, you can see the carved truck below.
You remember Merida opening doors and the witch constantly disappearing? It’s because those doors are made the same way from Monsters Inc. They transport across time and that is why Merida couldn’t find the witch.
Every Pixar movie is connected. I explain how, and possibly why.
Several months ago, I watched a fun-filled video on Cracked.com that introduced the idea (at least to me) that all of the Pixar movies actually exist within the same universe.
Since then, I’ve obsessed over this concept, working to complete what I call “The Pixar Theory,” a working narrative that ties all of the Pixar movies into one cohesive timeline with a main theme.
This theory covers every Pixar production since Toy Story. That includes: A Bug’s Life, Toy Story 2, Monsters Inc., Finding Nemo, The Incredibles, Cars, Ratatouille, Wall-E, Up, Toy Story 3, Cars 2, Brave, Monsters University.
Every movie is connected and implies major events that influence every single movie. Here we go.
[SIDE NOTE: All text in blue indicate updated edits since the original version]
Brave is the first and last movie in the timeline. Obviously, this movie about a Scottish kingdom during the Dark Ages is the earliest time period covered by the Pixar films, but it’s also the only Pixar movie that actually explains why animals in the Pixar universe behave like humans sometimes.
Several months ago, I watched a fun-filled video on Cracked.com that introduced the idea (at least to me) that all of the Pixar movies actually exist within the same universe.
Since then, I’ve obsessed over this concept, working to complete what I call “The Pixar Theory,” a working narrative that ties all of the Pixar movies into one cohesive timeline with a main theme.
This theory covers every Pixar production since Toy Story. That includes: A Bug’s Life, Toy Story 2, Monsters Inc., Finding Nemo, The Incredibles, Cars, Ratatouille, Wall-E, Up, Toy Story 3, Cars 2, Brave, Monsters University.
Every movie is connected and implies major events that influence every single movie. Here we go.
[SIDE NOTE: All text in blue indicate updated edits since the original version]
Brave is the first and last movie in the timeline. Obviously, this movie about a Scottish kingdom during the Dark Ages is the earliest time period covered by the Pixar films, but it’s also the only Pixar movie that actually explains why animals in the Pixar universe behave like humans sometimes.
We also learn that this witch inexplicably disappears every time she passes through doors, leading us to believe that she may not even exist. Don’t get ahead of me, but we’ll come back to Brave. Let’s just say, for now, the witch is someone we know from a different movie in the timeline.
[Some of pointed out that the animals in Brave gradually regress back into an animal state, disproving the idea that this is the source of animals acting like humans. My rebuttal is simple. They regress because the magic wears off. Over time, their evolving intelligence grows naturally.]
Centuries later, the animals from Brave that have been experimented on by the witch have interbred, creating a large-scale population of animals slowly gaining personification and intelligence on their own.
There are two progressions: the progression of the animals and the progression of artificial intelligence. The events of the following movies set up a power struggle between humans, animals, and machines. The stage for all-out war in regards to animals is set by Ratatouille,Finding Nemo, and Up, in that order. Notice I left out A Bug’s Life, but I’ll explain why later.
In Ratatouille, we see animals experimenting with their growing personification in small, controlled experiments. Remy wants to cook, something only humans explicitly do. He crafts a relationship with a small group of humans and finds success. Meanwhile, the villain of Ratatouille, Chef Skinner, disappears. What happened to him? What did he do with his newfound knowledge that animals were capable of transcending their instincts and performing duties better than humans?
[Some of pointed out that the animals in Brave gradually regress back into an animal state, disproving the idea that this is the source of animals acting like humans. My rebuttal is simple. They regress because the magic wears off. Over time, their evolving intelligence grows naturally.]
Centuries later, the animals from Brave that have been experimented on by the witch have interbred, creating a large-scale population of animals slowly gaining personification and intelligence on their own.
There are two progressions: the progression of the animals and the progression of artificial intelligence. The events of the following movies set up a power struggle between humans, animals, and machines. The stage for all-out war in regards to animals is set by Ratatouille,Finding Nemo, and Up, in that order. Notice I left out A Bug’s Life, but I’ll explain why later.
In Ratatouille, we see animals experimenting with their growing personification in small, controlled experiments. Remy wants to cook, something only humans explicitly do. He crafts a relationship with a small group of humans and finds success. Meanwhile, the villain of Ratatouille, Chef Skinner, disappears. What happened to him? What did he do with his newfound knowledge that animals were capable of transcending their instincts and performing duties better than humans?
But then Dug and the rest of his experiments are set free after Muntz’s demise, and we don’t know the full implications of that, but what we do know is that animosity between the animals and humans is growing steadily. Now that humans have discovered the potential of animals, they are beginning to cross the line. To develop this new technology, the humans begin an industrial revolution hinted at in Up.
[Some have pointed out that Muntz was working in South America before the events of Ratatouille. This is true, but it is not explicitly stated how and when he developed the collars. Also, we know Ratatouille takes place before Up for several reasons. In Toy Story 3, a postcard on Andy's wall has Carl and Ellie's name and address on it (including their last names to confirm). This confirms that in 2010, the time of Toy Story 3, Ellie is still alive or hasn't been dead long. This supports the idea that Up takes place years later.]
[Some have pointed out that Muntz was working in South America before the events of Ratatouille. This is true, but it is not explicitly stated how and when he developed the collars. Also, we know Ratatouille takes place before Up for several reasons. In Toy Story 3, a postcard on Andy's wall has Carl and Ellie's name and address on it (including their last names to confirm). This confirms that in 2010, the time of Toy Story 3, Ellie is still alive or hasn't been dead long. This supports the idea that Up takes place years later.]
Buy-n-Large (BNL), a corporation that runs just about everything by the time we get to Wall-E. In the “History of BNL” commercial from the movie, we’re told that BNL has even taken over the world governments. Did you catch that this one corporation achieved global dominance?
Interestingly, this is the same organization alluded to inToy Story 3:
Interestingly, this is the same organization alluded to inToy Story 3:
In Finding Nemo, we have an entire population of sea creatures uniting to save a fish that was captured by humans. BNL shows up again in this universe via another news article that talks about a beautiful underwater world. In Finding Nemo, lines are being crossed. Humans are beginning to antagonize the increasingly networked and intelligent animals.
Think about Dory from Finding Nemo for a second. She stands apart from most of the other fish. Why? She isn’t as intelligent. Her short-term memory loss is likely a result of her not being as advanced as the other sea creatures, which is a reasonable explanation for how rapidly these creatures are evolving.
Think about Dory from Finding Nemo for a second. She stands apart from most of the other fish. Why? She isn’t as intelligent. Her short-term memory loss is likely a result of her not being as advanced as the other sea creatures, which is a reasonable explanation for how rapidly these creatures are evolving.
It’s likely that the sequel to Finding Nemo, which is about Dory, will touch on this and further explain why. We may also get some more evidence pointing to animosity between humans and animals.
And that is the furthest movie in the “animal” side of things. When it comes to A.I., we start with The Incredibles. Who is the main villain of this movie? You probably thought of Buddy, a.ka. Syndrome, who basically commits genocide on super-powered humans.
And that is the furthest movie in the “animal” side of things. When it comes to A.I., we start with The Incredibles. Who is the main villain of this movie? You probably thought of Buddy, a.ka. Syndrome, who basically commits genocide on super-powered humans.
Or does he?
Buddy didn’t have any powers. He used technology to enact revenge on Mr. Incredible for not taking him seriously. Seems a little odd that the man went so far as to commit genocide.
And how does he kill all of the supers? He creates the omnidroid, an A.I. “killbot” that learns the moves of every super-human and adapts. The omnidroid eventually turns on Syndrome, which leads us to believe that he was being manipulated by machines the entire time in order to wipe out the biggest threats to robot dominance, super-powered humans. The movie even shows clips of the superheroes with capes being done in by inanimate objects, such as plane turbines…accidentally.
Buddy didn’t have any powers. He used technology to enact revenge on Mr. Incredible for not taking him seriously. Seems a little odd that the man went so far as to commit genocide.
And how does he kill all of the supers? He creates the omnidroid, an A.I. “killbot” that learns the moves of every super-human and adapts. The omnidroid eventually turns on Syndrome, which leads us to believe that he was being manipulated by machines the entire time in order to wipe out the biggest threats to robot dominance, super-powered humans. The movie even shows clips of the superheroes with capes being done in by inanimate objects, such as plane turbines…accidentally.
[Interesting side notes: someone suggested that Randall being sent back in time is what inspired Edna to create Violet's invisibility suit. Also, some have questioned whether or not Syndrome actually was manipulated by his own technology. Keep in mind that the movie strongly suggests it takes place before modern times. The beginning is set in what appears to be the late 60s or early 70s, meaning the events of the movie must be in the late 80s or early 90s. This is a proper setup for Toy Story, as we are starting to see machines questioning their purpose in life. It's possible that Syndrome created this technology to become better than his idol. That doesn't explain his thirst for blood revenge. It seems he became consumed by hatred, and leads me to suggest that the machines wanted him to use them to suit his needs, since they are his slaves after all. It's either that, or the machines knew that killing off the supers was the only thing stopping them from dominating the world via BNL.]
But why would machines want to get rid of humans in the first place? We know that animals don’t like humans because they are polluting the Earth and experimenting on them, but why would the machines have an issue?
Enter Toy Story. Here we see humans using and discarding “objects” that are clearly sentient. Yes, the toys love it Uncle Tom style, but over the course of theToy Story sequels, we see toys becoming fed up.
But why would machines want to get rid of humans in the first place? We know that animals don’t like humans because they are polluting the Earth and experimenting on them, but why would the machines have an issue?
Enter Toy Story. Here we see humans using and discarding “objects” that are clearly sentient. Yes, the toys love it Uncle Tom style, but over the course of theToy Story sequels, we see toys becoming fed up.
The toys rise up against Sid in the first movie. Jesse resents her owner, Emily, for abandoning her. Lotso Huggin’ Bear straight up hates humans by the third movie. Toys are obviously not satisfied with the status quo, providing a reason for why machines would eventually be quick to wipe out the strongest humans.
With the super-humans all but gone, mankind is vulnerable. Animals, who want to rise up Planet of the Apes style, have the ability to take over, but we don’t see this happen.
Also, A.I. never takes over humans. Why do you think that is? It’s reasonable to assume that machines did take over, just not as we expected. The machines used BNL, a faceless corporation (which are basically faceless in nature) to dominate the world.
In each of the Toy Story movies, it’s made painfully clear that sentient objects rely on humans for everything. For fulfillment and even energy. It’s hinted at that the Toys lose all life when put away in “storage” unless they are in a museum that will get them seen by humans.
With the super-humans all but gone, mankind is vulnerable. Animals, who want to rise up Planet of the Apes style, have the ability to take over, but we don’t see this happen.
Also, A.I. never takes over humans. Why do you think that is? It’s reasonable to assume that machines did take over, just not as we expected. The machines used BNL, a faceless corporation (which are basically faceless in nature) to dominate the world.
In each of the Toy Story movies, it’s made painfully clear that sentient objects rely on humans for everything. For fulfillment and even energy. It’s hinted at that the Toys lose all life when put away in “storage” unless they are in a museum that will get them seen by humans.
So machines decide to control humans by using a corporation that suits their every need, leading to an industrial revolution that eventually leads to…pollution.
When the animals rise up against the humans to stop them from polluting the earth, who will save them? The machines. We know that the machines will win the war, too, because after this war, there are no animals ever to be seen again on Earth. Who’s left?
When the animals rise up against the humans to stop them from polluting the earth, who will save them? The machines. We know that the machines will win the war, too, because after this war, there are no animals ever to be seen again on Earth. Who’s left?
Meanwhile on Earth, machines are left behind to populate the world and run things, explaining human landmarks and traditions still being prominent in Cars. There are no animals or humans in this version of Earth because they’re all gone, but we do know that the planet still has many human influences left. In Cars 2, the cars go to Europe and Japan, making it plain that this is all taking place on Earth as we know it.
So what happened to the cars? We’ve learned by now that humans are the source of energy for the machines. That’s why they never got rid of them. In Wall-E, they point out that BNL intended to bring the humans back once the planet was clean again, but they failed. The machines on Earth eventually died out, though we don’t know how.
So what happened to the cars? We’ve learned by now that humans are the source of energy for the machines. That’s why they never got rid of them. In Wall-E, they point out that BNL intended to bring the humans back once the planet was clean again, but they failed. The machines on Earth eventually died out, though we don’t know how.
[Side Note: someone pointed out that "all in all" means the same thing as "by and large" making the connection between Cars and Wall-E even more appealing.]
Which brings us back to Wall-E.
Have you ever wondered why Wall-E was the only machine left? We know that the movie begins 800 years after humans have left Earth on Axiom, governed by the AutoPilot (another A.I. reference).
Could it be that Wall-E’s fascination with human culture and friendship with a cockroach is what allowed him to keep finding fulfillment and the ability to maintain his personality? That’s why he was special and liberated the humans. He remembered the times when humans and machines lived in peace, away from all of the pollution caused by both sides.
Which brings us back to Wall-E.
Have you ever wondered why Wall-E was the only machine left? We know that the movie begins 800 years after humans have left Earth on Axiom, governed by the AutoPilot (another A.I. reference).
Could it be that Wall-E’s fascination with human culture and friendship with a cockroach is what allowed him to keep finding fulfillment and the ability to maintain his personality? That’s why he was special and liberated the humans. He remembered the times when humans and machines lived in peace, away from all of the pollution caused by both sides.
Wall-E End Credits, as well.
But there’s more. There’s something strikingly different about A Bug’s Life when compared to other Pixar portrayals of animals. Unlike Ratatouille, Up, and Finding Nemo, the bugs have many human activities similar to what the rats in Ratatouille were just experimenting with. The bugs have cities, bars, know what a bloody mary is, and even have a travelling circus. This all assumes that the movie is in a different time period.
The other factor that sets A Bug’s Life apart from other Pixar movies is the fact that it is the only one, besidesCars and Cars 2, that doesn’t revolve (or even include) humans.
[Okay there is a a lot of contention over the idea that A Bug's Life takes place post-apocalypse, but hear me out. The reason I am so inclined to push the idea is because of how different the bug world is from the "animal" movies. No other Pixar movie has animals wearing clothing, wild inventions, animals creating machines, or so much human influence like bars and cities. In Finding Nemo, the most human thing we see is a school, and even that is pretty stripped down. But in A Bug's Life, we have a world where humans are barely even implied. At one point, one of the ants tells Flik not to leave the island because there are "snakes, birds, and bigger bugs out there." He doesn't even bring up humans. Yes, there are some humans, like the kid who allegedly picked the wings off of the homeless bug, but that still fits in a post Wall-E world. Also, the bugs have to be irradiated for them to live such long lifespans. The average lifespan of an ant is just 3 months, but these ants all survive an entire summer and allude to being around for quite some time. One of the ants even says he "feels 90 again." That works if you accept that the ants are sturdier due to evolution and mutated genes.]
So what happens? Humanity, machines, and animals grow in harmony to the point where a new super species is born. Monsters. The monsters civilization is actually Earth in the incredibly distant future.
Where did they come from? It’s possible that the monsters are simply the personified animals mutated after the diseased earth was radiated for 800 years. [Not during Wall-E. I would guess that it took hundreds of years after Wall-E for the animals to become monsters] The alternative could be that humans and animals had to interbreed to save themselves. Gross, I know, but plausible since the lines between animals and humans are constantly up for debate in Pixar.
[Okay there is a a lot of contention over the idea that A Bug's Life takes place post-apocalypse, but hear me out. The reason I am so inclined to push the idea is because of how different the bug world is from the "animal" movies. No other Pixar movie has animals wearing clothing, wild inventions, animals creating machines, or so much human influence like bars and cities. In Finding Nemo, the most human thing we see is a school, and even that is pretty stripped down. But in A Bug's Life, we have a world where humans are barely even implied. At one point, one of the ants tells Flik not to leave the island because there are "snakes, birds, and bigger bugs out there." He doesn't even bring up humans. Yes, there are some humans, like the kid who allegedly picked the wings off of the homeless bug, but that still fits in a post Wall-E world. Also, the bugs have to be irradiated for them to live such long lifespans. The average lifespan of an ant is just 3 months, but these ants all survive an entire summer and allude to being around for quite some time. One of the ants even says he "feels 90 again." That works if you accept that the ants are sturdier due to evolution and mutated genes.]
So what happens? Humanity, machines, and animals grow in harmony to the point where a new super species is born. Monsters. The monsters civilization is actually Earth in the incredibly distant future.
Where did they come from? It’s possible that the monsters are simply the personified animals mutated after the diseased earth was radiated for 800 years. [Not during Wall-E. I would guess that it took hundreds of years after Wall-E for the animals to become monsters] The alternative could be that humans and animals had to interbreed to save themselves. Gross, I know, but plausible since the lines between animals and humans are constantly up for debate in Pixar.
Whatever the reason, these monsters seem to all look like horribly mutated animals, only larger and civilized. They have cities and even colleges, as we see inMonsters University.
[An issue some have found is that this doesn't properly explain what happened to humans. I haven't settled on a theory I really like yet, but I'm leaning towards the idea that monsters and machines eventually forgot that they need humans and got rid of them again, not realizing their mistake until all humans died out, leading to the necessity for time travel. Another explanation is that humans just couldn't survive on Earth anymore.]
In Monsters Inc., they have an energy crisis because they are in a future earth without humans. Humans are the source of energy, but thanks to the machines, again, the Monsters find a way to use doors to travel to the human world. Only, it’s not different dimensions.
[An issue some have found is that this doesn't properly explain what happened to humans. I haven't settled on a theory I really like yet, but I'm leaning towards the idea that monsters and machines eventually forgot that they need humans and got rid of them again, not realizing their mistake until all humans died out, leading to the necessity for time travel. Another explanation is that humans just couldn't survive on Earth anymore.]
In Monsters Inc., they have an energy crisis because they are in a future earth without humans. Humans are the source of energy, but thanks to the machines, again, the Monsters find a way to use doors to travel to the human world. Only, it’s not different dimensions.
The monsters are going back in time. They’re harvesting energy to keep from becoming extinct by going back to when humans were most prominent. The peak of civilization, if you will.
Though a lot of time has passed, animosity towards humans never really went away for animals/monsters. Monsters must have relied on anti-human instincts to believe that just touching a human would corrupt their world like it did in the past. So they scare humans to gather their energy until they realize that laughter (green energy) is more efficient because it is positive in nature.
[An alternative explanation that fits even better that some of you brought up: The machines and monsters created the time travel doors but realized that messing with time could erase their existence and change history. So, they falsely trained monsters to believe that humans are toxic and from another dimension, making it suicide for a monster to interact too much with their world.]
We even see a connection between A Bug’s Life andMonsters Inc. via the trailer we see in both movies. As you can see, the trailer looks exactly the same, except the one in A Bug’s Life is noticeably older and more decrepit, while the one in Monsters Inc. where Randall is sent via a door has humans and looks newer.
Though a lot of time has passed, animosity towards humans never really went away for animals/monsters. Monsters must have relied on anti-human instincts to believe that just touching a human would corrupt their world like it did in the past. So they scare humans to gather their energy until they realize that laughter (green energy) is more efficient because it is positive in nature.
[An alternative explanation that fits even better that some of you brought up: The machines and monsters created the time travel doors but realized that messing with time could erase their existence and change history. So, they falsely trained monsters to believe that humans are toxic and from another dimension, making it suicide for a monster to interact too much with their world.]
We even see a connection between A Bug’s Life andMonsters Inc. via the trailer we see in both movies. As you can see, the trailer looks exactly the same, except the one in A Bug’s Life is noticeably older and more decrepit, while the one in Monsters Inc. where Randall is sent via a door has humans and looks newer.
Look at the picture above. On the left is the trailer fromA Bug’s Life and the one on the right is from Monsters Inc. The one on the left looks older and more rundown. Even the vegetation is noticeably dryer and there’s less of it. The trailer on the right has humans and the frame even includes tall grass and a tree hanging overhead.
[Some have argued that the trailer in A Bug's Life should be nothing but dust. I disagree based on how barely intact other buildings were in Wall-E. They also bring up the bug zapper that is powered by electricity. The zapper could easily be solar powered, just like Wall-E. The bugs probably used it as a light source to signal other bugs to "Bug City." Also, the trailer in A Bug's Life never shows lights in the trailer like it does for Monsters Inc.]
That said, Monsters Inc. is so far the most futuristic Pixar movie. By the end, humans, animals, and machines have finally found a way to understand each other and live harmoniously.
And then there’s Boo. What do you think happened to her? She saw everything take place in future earth where “kitty” was able to talk. She became obsessed with finding out what happened to her friend Sully and why animals in her time weren’t quite as smart as the ones she’d seen in the future. She remembers that “doors” are the key to how she found Sully in the first place and becomes…
[Some have argued that the trailer in A Bug's Life should be nothing but dust. I disagree based on how barely intact other buildings were in Wall-E. They also bring up the bug zapper that is powered by electricity. The zapper could easily be solar powered, just like Wall-E. The bugs probably used it as a light source to signal other bugs to "Bug City." Also, the trailer in A Bug's Life never shows lights in the trailer like it does for Monsters Inc.]
That said, Monsters Inc. is so far the most futuristic Pixar movie. By the end, humans, animals, and machines have finally found a way to understand each other and live harmoniously.
And then there’s Boo. What do you think happened to her? She saw everything take place in future earth where “kitty” was able to talk. She became obsessed with finding out what happened to her friend Sully and why animals in her time weren’t quite as smart as the ones she’d seen in the future. She remembers that “doors” are the key to how she found Sully in the first place and becomes…
A WITCH.
Yes, Boo is the witch from Brave. She figures out how to travel in time to find Sully, and goes back to the source: The will-of-the-wisps. They are what started everything, and as a witch, she cultivates this magic in an attempt to find Sully by creating doors going backwards and forwards in time.
[Just to clarify: The theory is that Boo discovered a way to use doors to travel through time on her own, possibly by developing magic on her own. She probably went back in time to the Dark Ages to get more magic from the will-o-wisps.]
How do we know? In Brave, you can briefly see a drawing in the workshop. It’s Sully.
Yes, Boo is the witch from Brave. She figures out how to travel in time to find Sully, and goes back to the source: The will-of-the-wisps. They are what started everything, and as a witch, she cultivates this magic in an attempt to find Sully by creating doors going backwards and forwards in time.
[Just to clarify: The theory is that Boo discovered a way to use doors to travel through time on her own, possibly by developing magic on her own. She probably went back in time to the Dark Ages to get more magic from the will-o-wisps.]
How do we know? In Brave, you can briefly see a drawing in the workshop. It’s Sully.
[A lot of people have brought up how easter eggs are scattered throughout all the Pixar movies. I barely scratch the surface, but a great theory offered by some that I support is that these easter eggs are planted by Boo either intentionally or accidentally as she travels through time to find Sully. Some support for that is the fact that every easter egg in Brave lies in her workshop.]
Does Boo ever find Sully? I like to think so. He surely reunited with her at least once as a child at the end ofMonsters Inc. but eventually he had to stop visiting.
But her love for Sully is, after all, the crux of the entire Pixar universe. The love of different people of different ages and even different species finding ways to live on Earth without destroying it because of a lust for energy.
And that is the Pixar Theory.
Does Boo ever find Sully? I like to think so. He surely reunited with her at least once as a child at the end ofMonsters Inc. but eventually he had to stop visiting.
But her love for Sully is, after all, the crux of the entire Pixar universe. The love of different people of different ages and even different species finding ways to live on Earth without destroying it because of a lust for energy.
And that is the Pixar Theory.
